What Do Artists And Hedge Fund Managers Have In Common?

Many artists and art commentators (including this one) often argue that the aesthetic value of art and the financial value of art have no connection to each other. Others go even further and suggest that artists who interest themselves in the art market are tainted by that association. So it was interesting to speak with one artist and one collector about an event where artists and potential art buyers happily co-mingled.Retired hedge fund manager Chad Loweth organized what he called a contemporary salon at his Hamptons home last weekend. He invited Henry Richardson, Richard Dupont and Domingo Zapata, three artists that he has known and collected for some time, and some art professionals, among them Scott Howe, the deputy director of the Parrish Art Museum, and Lisa Dennison, co-chair of Sotheby’s.

Loweth also asked along lots of his friends, predominantly contacts from the worlds of finance and real estate. “A lot of people tell me they find contemporary art hard to understand. You can look at a piece that is $2.5 million or $25,000 and to the average person, they sometimes look the same,” says Loweth. “How can you spend any of those sums on something that you can’t wrap your arms around?”He points out that the more would-be collectors know about artists, and the more they understand their whole body of work, the more comfortable they are about buying. “I thought it would be great to invite busy, workaholic people who don’t have much time for an evening in the Hamptons where they could interact with the artists themselves and it worked,” he says. “People kept telling me they were having a great time.”Glass artist Henry Richardson also enjoyed the chance to mingle. In fact, he says that Loweth, who has come to him with ideas over the few years he has known him, has influenced the evolution of his work.

“I think a lot of artists are very ego-centric. It’s very important as an artist to draw inspiration from many sources and the creativity of other people. I’ll take any good idea that I can get.”He also sold three out of four large sculptures he brought to the event. “That was a pretty good evening for me. There were also maybe five couples who want me to come to their homes to talk about making a monumental piece for them.”For his part, Loweth thinks that buying art can be a good investment. “Anyone who wants to put a lot of money to work in the art market that has the safety of liquidity is going into the same 50 artists such as Picasso and De Kooning, but the average person is not going to spend $50 million on an art work.”Meanwhile, he thinks there are maybe 500 artists that are worth $30,000 to $70,000 for one piece. “If you can buy a few of these artists, you have a shot that one of these will become a star and you’ll get your money back and maybe make some money too. In the meantime, you’ve got this great piece in your home.”

Richardson’s final take on the evening was that he had some surprising discussions about his art with finance and real estate professionals and not for the first time. He mentions a previous meeting he had with one of Loweth’s real estate contacts. “This guy said, ‘I take care of my body, I like to study, but art is really feeding my soul’. I just thought that was such an unusual statement. He didn’t even think about it, he just felt it in that moment.” Forbes.

To Learn About Art, Party With the Artists

This weekend, Chad Loweth, a real-estate investor who had previously worked in the finance and hedge-fund industries, hosted what he called an art salon on the farm field at his Water Mill home. Mr. Loweth said he was at Art Basel in Miami Beach last year with several couples. "If you go to those events, there's so much in one place, it can be pretty mind-numbing," he said. Among several of his friends, who he described as "well-off but workaholic type people," the subject of understanding contemporary art and navigating the art market came up.

As an art patron with eclectic tastes, Mr. Loweth said he keeps up with what's going on at art shows and at auction houses. "Your taste changes the more educated you become," he said. Typically he tells friends, "Don't rush out and buy a lot. Do it slowly.""People would say, 'I saw so many beautiful things, but can you help me understand why something's $12 million, $2 million, $550,000 or $50,000?'" recalled Mr. Loweth. "The more people I talk to, the more I get the same response. Spending money on art scares them."

Mr. Loweth said he also tries to convince friends to buy what they like, "something that will make you happy when you see it every day." And it helps to get to know the artist whose work you might be interested in. "That way, when someone comes to your house and asks you to tell them about the work, you can," Mr. Loweth said. So over the weekend, he invited three artists whose work he collects and who he knows personally—Domingo Zapata, Richard Dupont and Henry Richardson—to bring some of their art and mingle with invited guests under a tent.

"I'd never heard of anything like this," said Mr. Richardson. "It wasn't a gallery show and it wasn't an art show. It wasn't really with an intent to sell, but just to get people to see the work and do it in a way that was actually fun. It was really a blowout party." Mr. Richardson, however, brought along four large-scale sculptures, including a 4½-foot orb and a 7-foot twisted column, and wound up selling three out of four of them.

Mr. Loweth invited several art-world professionals to help make the evening educational, including Scott Howe, the deputy director of the Parrish Art Museum. He wanted to make sure his guests understood that they should be going to museums to see what work is there. "For free you can go over and see a long-term vision of this Switzerland, as Scott from the Parrish called it," Mr. Loweth said. "They're not a gallery, they're not trying to sell you anything. But they do have a tremendous expertise." Mr. Howe said his friends don't typically use museum visits to do that kind of thing.

He added that he didn't participate in the sale of any of the work at his house, but being a collector of the work of Messrs. Dupont, Zapata and Richardson, "I economically benefit on my art." The evening wasn't just expensive for him on the hosting side, but he also wound up buying a piece of each of the artist's work. "I don't know if my wife will let me do it again," he joked.

"To me, it wasn't the typical kind of Hamptons party where a billionaire shows off his extensive art collection with a performance by a famous singer for supermodels and his executive friends," said Mr. Loweth. "I'm not a billionaire and Billy Joel didn't come to sing. That's not what I was trying to achieve. This is about my friends coming and learning something, having fun and meeting an eclectic group of interesting people." Wall Street Journal.

Henry Richardson's Artistic Genius: Creating Spheres From Sheets of Glass

When Henry Richardson decided to be an artist, he opted out of art school and decided to take a more direct route delving right in. Self-taught, he started as a painter and eventually worked his way up to his current passion, glass sculpture. While many glass art is done by blowing or casting, Richardson instead fuses glass sheets together to create amazing orbs and towers. His method involves cutting arcs of glass that form rings, layering them to eventually form a perfect sphere. His art pieces have been shown at museums all over, including the Frost Museum in Miami and the deCordova Museum in Lincoln, Massachusetts, and are eagerly bought up by art enthusiasts. In 2012 he won the Artist of the Year award from Dcota Design Center. In this telling interview, Richardson discusses his process, the environment of the art world, where his inspiration comes from, and what it was like to create a 9/11 memorial for the town of Danbury, Connecticut. JustLuxe.